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Vulcan or Terran, everything had been designed to last, some clothes having been owned for thirty years or more, and all of it tumbled through the clothing sonic enough that they were incredibly soft and supple.

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Decades of his life spent curating a wardrobe, finding clothes that fit right and didn't rub his skin the wrong way, garments that felt nice and looked nice, colors and tones and textures that helped him project himself comfortably to the world.

He remembered his clothes back on Earth as he changed into his sleep garments. Everything would continue to be simultaneously too much and not enough. The healers had informed him that dissociation was a common side effect, and that it would fade with time, but that didn't make the reality of it any more pleasant. He knew logically that it was the same him who sat on the bridge through so many disastrous situations, who galivanted across far-flung planets, who played round after round of chess in the captain's quarters, but he felt so removed from it all. Spock did not remember everything, though, and it all felt distant, as if it had happened to some other person. A certain flavor would remind him of sitting in the Enterprise mess hall, a familiar laugh drifting down the corridor would send him back to a diplomatic function, et cetera. His memory had been restored significantly over the past weeks, flashes that came to him like the sudden recollection of a dream. He resigned himself to pretending to ignore the feeling, and got ready for bed. He wanted nothing more than to escape his own skin, but that was impossible. He was aware of every little breeze in the room.

Everything felt so fresh, so new, like the raw skin that was left behind after the dead stuff fell away. He was back in a body, but it was not his body. The wrong that he had gotten used to had been wiped away, decayed just as surely as his radiation-riddled corpse. Not only was everything wrong, it was also unfamiliar. That shouldn't have been saying much, since everything in his life had always been slightly to the left of what it should be, but this feeling was different. Spock was back, and everything was wrong. The next step is to combine them with methods from - choose ones that work with your series type.- Death Cab for Cutie, Brothers on a Hotel Bed To configure the states of a series, use its normal(), hovered(), and selected() methods. Some additional information can be found in the Points and Shortcuts sections. See the Series section of this article to learn more. Such charts do not have the normal(), hovered(), and selected() methods, but their series do, so you should configure the states of series. Most chart types in AynChart allow creating multiple series. One slice is configured individually though data: // create data

In the sample below, there is a Pie chart with visual settings adjusted with the help of the normal() and hovered() methods. Note 2: There is also an alternative way to set the normal state of a chart: see the Shortcuts section. Note 1: To configure an individual point of a chart, add to your data extra fields corresponding to the methods mentioned above. The next step is to combine them with the methods from - choose ones that work with your chart type. To configure their states, use the normal(), hovered(), and selected() methods of the chart. Some chart types can have only one series. Please note that many of them work only with certain types of charts or series.

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Here is the full list of available settings:. For example, you can adjust their appearance, enable and adjust labels and markers. Triple Exponential Moving Average (TRIX)Ī number settings of a chart, series, or point can be configured in three states: normal, hover, and selected.Moving Average Convergence Divergence (MACD).

Anychart series settings